Velluto allucciolato operato ad un corpo lanciato broccato bouclé/intreccio di base in taffetas prodotta da un ordito e una trama di fondo  in seta gialla e ricoperta da un trama lanciata in oro filato a fili doppi, legata in diagonale da un ordito di legatura in seta gialla/ Disegno descritto in velluto tagliato da un ordito di pelo in seta rossa e da effetti bouclé prodotti da una trama broccata d'oro riccio a vergole d'oro

Conserva els dos voravius (dos llistats beix i un verd), 1,5 cm.
- vellut tallat llavorat de 1 cos, brocat, trama llançada

In 1436 a fountain was furnished for a courtyard in the Florentine house of Cosimo de' Medici, long before it was transformed into the grandiose palace of today. Records show that a stonecutter, Betto d'Antonio, supplied the fountain and a painter, Antonio, was paid for gilding a spiritello (a sprite, sometimes with angelic overtones) that surmounted it. That spiritello was almost certainly this quirky baby. Its sculptor, closely familiar with Donatello's bronze angels made for the Baptistery of Siena in 1429, breezily mixed together traits of Mercury, the god of commerce beloved by the Medici, with those of Zephyr, the west wind that Florentines always welcome in May.

1545 / 1570, Florence

1545 / 1570, Florence

Description