Octagonal textile panel of embroidered linen canvas with silk and silver-gilt threads in cross stitch. With the lower third cut off. Design of a cactus in the centre, with inscription around the border. Worked in greens, yellows, blues, white, with a raised border of silver-gilt embroidery. This panel bears an image of a cactus and the monogram of Elizabeth (Bess) Talbot, Countess of Shrewsbury. It is part of a collection of needlework known as the Oxburgh hangings. They were made between 1570 and about 1585, the work of Mary Queen of Scots during her imprisonment in England and Bess whose husband George Talbot, Earl of Shrewsbury was responsible for Mary while she stayed at one or other of the Shrewsbury estates. Embroidery was a conventional occupation for wealthy and elite women. Most of the motifs depicted were copied from the wood-cut illustrations of emblem books and natural histories by well-known authors such as Claud Paradin, Conrad Gessner, Pierre Belon. These often represented sentiments and morals from classical literature and contemporary folklore. This panel of canvas work (stitching over the threads of a coarsely woven linen) is embroidered in coloured silks, silver and silver-gilt thread. Those executed by Mary bear her monogram, the letters MA superimposed on the Greek letter phi and those by Bess, the initials ES. The existing ‘hangings’ consist of a of wall hanging, two bed curtains and valance, on permanent long-term loan at Oxburgh Hall in Norfolk. However these were probably not the original arrangement of the embroidery, but sewn together in the late 17th century. This group of 33 embroideries are the remains of another hanging, now unpicked. Octagonal textile panel of embroidered linen canvas with silk and silver-gilt threads, made by Elizabeth Talbot, Oxburgh, England, 1570-1785